canon c300 mark ii audio setup

You’d need less than an inch to make this setup work. Canon have Focus Guide set to the custom function button on the handle, and once activated you can use the joystick to navigate to your desired position on the screen. Cinematography Solutions Professional Cinema Cameras EOS C300 Mark II. Ahead of IBC 2019, Canon has officially announced the long-awaited second-generation C500 Mark II cinema camera.At its heart is the same full-frame image sensor as that of the larger C700 only a lot lighter, weighing in at just 3.8 lbs. This provides faster and more accurate autofocusing to assist users when operating with small crews. Canon Service Tool for Projectors Canon Service Tool for Projectors Canon Service Tool for Projectors. How well are the new features implemented, how intuitive is the menu? The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It’s a bi-product of the intuitive Dual Pixel AF system. Not on the C300 Mark II, you have to go into the menu and change the recording mode to slow motion. I need a set up to constantly power the camera, lens, and a monitor that uses sony L batteries (probably an atomos flame). The LM-V1 is a screen only. If one has the EOS C300 Mark II set up so that proxy clip recording is activated but no CFast card is inserted into the camera, only the proxy clip will be recorded to the SD card. ISO 800, C log 2. Here’s the charge next to the popular LP-E6 battery charger for Canon DSLRs. What’s great about this is the fact that when activated you can tell which way you need to turn the lens barrel to hit focus (markers sit above or below the box depending of fore/aft focus correction). So lets get started, and to kick things off I’ll start with what I liked about the C300 Mark II. The Canon C300 Mark II Touch Focus Kit is priced at only $9,999! Following the success of the 5D Mark II, Canon quickly took center stage in the broadcast and documentary film world with the release of the original C300. Both cameras are under 10 pounds but their shapes are very different. 5. The EOS C300 Mark II Digital Cinema Camera integrates an 8.85 Megapixel Super 35mm 16:9 CMOS sensor that supports 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels. It’s a big upgrade from the C100/C300 Mark I that only offers a static, small centre portion of the screen as an active AF zone. To download it, click the link below, copy and paste the link in your browser, or visit the Canon, USA web site at usa.canon.com for more details. Having the OSD on/off by one button is a really nice way to quickly check them on your output before hitting record; the same applies to switching between your LUT and your log. Spending a few days with the camera hasn’t provided my quest for a new camera body with any more clarity, but it’s answered a few questions surrounding Canons latest offering. Like previous EOS cameras you have the ability to choose what Channel 2 records (it’s own channel or a clone of channel 1). So, that will make it just a tad longer and wider than the C200. The listed payload for the Movi M5 is 5lbs, however it’s been documented in the past of being physically capable of more, capped by fewer components then you may think (it shares the same motors as the larger M10). Lets start this off by first saying this is not an official review. Canon C300 Mark II Cinema EOS Camcorder with Dual Pixel CMOS AF (EF Lens Mount) features Super 35mm CMOS Sensor, 4K,1920x1080 60/50i, 23.98/25p True 24p. submenu. I’ve had one in for the last few days and wanted to share some fresh thoughts as a working operator. Standard Shooting Mode (200mm focal length): Slow motion Mode (x2 crop of 200mm focal length): And here’s Standard Shooting Mode at 100mm to compare the two for sharpness: And at 400%, slow motion mode (100mm at x2 crop): It’s a very brief and unscientific test (100 & 200mm focal lengths on a zoom lens will have discrepancies) but I want to roughly see how close/far out they were. ... Canon; EOS C300 Mark II; Dual Pixel AF doesn’t work in Slowmo Mode. I experimented with all of them, the BT.709 most of all. Audio Input] 1 Open the [MIC Att.] It means that you can record a source on Channel 1 and set your levels, then clone the input to Channel 2 at which you’ve set a few db lower for redundancy in case there’s a spike in your input and you haven’t time to adjust your levels. ... Simplify set-up, operation and maintenance of Canon projectors using wireless remote control from iOS devices. The C300 MKII records with a new format called XF-AVC. 7. EOS DIGITAL CAMERA LIMITED WARRANTY For The U.S.A. And Canada Only. The Canon EF-mount Cinema EOS C300 Mark II Camcorder with Dual Pixel CMOS AF features a Super 35mm CMOS. JPEG frame of 12bit 4444 image from C300 Mark II. Output options for peaking, same for zebras and WFM. The Sony FS7’s longer body was designed with handheld shooting in mind, or as Sony likes to say, “Shoulder mount comfort without rigs – or rigmarole.” The C300 can be gawky to handhold, especially with zoom lenses. For both these reasons it is not possible to have your OSD on this output, so you often have to switch back to your inferior on-camera monitor to check settings before recording again. Sifting through the menu system I found this a nice feature, custom markers displays. AUDIO terminal Canon’s proprietary specifications (special 13-pin jack) Component out. I found this really helpful when in an interview environment and wanting to re-adjust focus, hunting would ruin the shot but with this feature you know exactly which way to adjust. Durable Construction • Made using abrasion-resistant 1000-denier, military-grade Cordura Nylon • Our material is treated with an extra layer of water-resistant coating Here’s a shot from my shoot, key at your hearts content (TIFF download at bottom of page). Unfortunately this was the only sized battery the hire company supplied. It indeed accepted a 4K raw feed just fine, below is a JPEG of a frame grab taken from the ProRes HQ recording of the Shogun. He has since made a few batches, selling out each time and many other C300 III & C500 II users are using his V-mount plate. An overlooked feature in many existing cameras and monitors is the ability to monitor what you are recording, not viewing.When you are shooting LOG, but viewing a LUT you’ll know by the color shift of the menu and a little overlay on the screen (not to mention the fact that the contrast and colour of your image will change) but the most important aspect of this workflow is that your Waveform Monitor adheres to the recorded log, not the viewed LUT. The spec can be found here, here’s the manual, here’s what we found when we did a lab analysis of the image and yes, the auto focus system is very impressive and will revolutionize the way many shoot. But how well does it actually function as, a camera? I can see exactly what they’ve done here, they’ve included relevant LUTs to correctly display gamma on various different monitors, both current and future. You have to experience the camera first hand to discover the little gems hidden in the menus or work out how the software works for a given feature. I’ve been looking for an in-house camera to replace my Canon C100 mark I for a while. I feel this is the bare minimum however; LUTs have evolved from this in recent times. I was lucky enough to receive my camera early, so I hit the ground running! Page 1 PUB. You can read our guide on Slow Motion for the C300 Mark II to learn more. Video Size The closet you can get is placing Recording Mode at the top of your My Menu (a custom menu that allows you to add pretty much any feature to it), and assigning My Menu to one of the custom function buttons. This is an extension of the former point; due to grouping certain outputs you can’t use Perimeter View on the camera monitor and receive a clean feed on HDMI or SDI 1. Both the Arri Amira and Sony FS7 support custom load LUTs and provide a decent stock LUT pre-loaded on the camera. And like many, I’ve been trying to justify where the over 100% increase in cost comes with the Canon. The waveform monitor when active resides half way up on the right hand side of the screen. Converted that’s 6.2 lbs., 5.8lbs if you go with the BP-A30 battery. Canon C300 MKII Review: Part 1 Introduction. There’s usually a work around with your monitors, especially if more than one of them can cross convert signals. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, Panasonic LUMIX S 70-300mm F/4.5-5.6 MACRO O.I.S. ISO 850 is the base ISO of the C100 Mark II. ... Simplify set-up, operation and maintenance of Canon projectors using wireless remote control from iOS devices. Scan from Canon multi-function devices to a mobile device, upload scans to cloud storage services, attach to and send emails, and print. Having only had two cameras with me for a few days (most of which was spent on the job/in transit) I haven’t spent anywhere near the amount of time it would take to cast a full review worthy opinion. Select your support content. Simplify set-up, operation and maintenance of Canon projectors using wireless remote control from iOS devices. I’m sure Canon will argue this is the correct implementation of Look Up Tables. In my opinion, you cannot do this with the in built LUTs on the C300 Mark II. The Canon C500 Mark II is an exciting platform for filmmakers that combines a full-frame sensor with Canon's color science and Dual-Pixel autofocus system in an ultra-compact form-factor. The audio options on the camera isn’t too surprising, 24-bit audio is nice and you can change all settings in the designated audio menu and most physically on the audio/monitor module. This means you can switch on/off your LUT with the press of button of your choice; I also found the inclusion of OSD (on screen displays) very handy in this list. This is perhaps something you could have predicted ahead of working it out for yourself, but just so you know Dual Pixel Autofocus does not work in slow motion mode. This was a feature I just assumed was in the camera, but at the time of writing this the Canon C300 Mark II does not support custom LUTs. Back to top. Real world slow motion and dynamic range would be top of my list as well as some Movi M5 and Dual Pixel AF fun. I found it too rich in contrast and aliased fine detail very quickly, therefore unfit for recording. However when active it sends a letterboxed image to SDI 1 (Monitor Out) and HDMI even when OSDs are turned off; a problem if you want to record via the HDMI and use this mode. I opened it up to have a look how easy is it to remove and it involves detaching two ribbon cables, so not ideal. It would be great to hear some alternative views on what is becoming a very talked about camera. You can record the Rec 709 LUT on the Amira and the LC (low contrast) Rec 709 LUT on the Sony FS7 and yield results that are good out of the box to look at and record to, with a little room for tweaking in post. I am planning to get a few C300 markiis and canon 17-120 servos to go with them. That’s the same price as the traditional C300 Mark II. No biggie, maybe Panasonic and SmallHD spoilt us (you can move it on the 502, too). Here’s the C300 Mark II with the 16-35mm f/4 IS lens, single Cfast card and Really Right Stuff EOS C Arca Swiss plate. With this said, I didn’t have much time to spend testing the image side of things for the public eye. 709 LUT, notice the WFM with a little overlay explaining it’s reference to log, nice. Single audio source for both channels, independent channel control. I hope you found my thoughts of some use, if you have any questions regarding the C300 Mark II please ask below and I’ll do my best to put my 4 day experience with the camera to some use.If you’ve already used the camera and have noticed any quirks or gems of your own, please share them. The smaller  BP-A30 battery also fits the profile of the camera body so won’t protrude like the above BP-A60. The auto focus system is great, if you’re familiar with the old Dual Pixel AF you’ll appreciate it’s potential. I’m very excited to share my thoughts of the new Canon C300 MK II with you. Why it doesn’t activate slow motion mode first is beyond me, and to top it off your Recording Mode doesn’t feature in the assignable buttons menu so you can’t set the shortcut it manually. The Canon C300 Mark II … Experience accuracy at any speed Shoot one frame per second for slow motion video or 120 at 2K/HD for fast moving objects, always with superb precision and clarity. The Movi seems to take the weight just fine, balancing and tuning took little effort. The camera features 4-channel linear PCM audio recording and playback. Canon's flagship cinema camera is full-frame, and expandable with optional extension modules.. That said, I spent the little time I had spare with the cameras productively inspecting every aspect of the menu system and button layout, as if it were my own. 3. Canon PRINT Business Canon PRINT Business Canon PRINT Business. Canon EOS C300 Mark II Camera Specs. I want to highlight the new Focus Guide feature. Both can easily be setup for studio-style shootin… The user is more limited with regards to the proxy clip setting. You press S&Q, it goes into slow mode and you can select your framerate, simple. The Canon C300 Mark II has two SDI outputs, one HDMI port and one proprietary video connection for the monitor module. Settings for all are C-log 2 ISO 800, f/2.8 on a 70-200 F/2.8 IS II. C-Log 2 ISO 800, F/2.8. Canon PRINT Business Canon PRINT Business Canon PRINT Business. Step down to 2K however, and you can record up to 120fps. Many complained that the mark I EOS cameras (both C100 and C300) didn’t display the waveform monitor on outputs (SDI, HDMI and even the inbuilt EVF) but you can now choose which output you wish to view WFM on (and which you don’t) and this translates to all assisting display features; WFM, peaking, Zebras etc. Does anyone know a good setup for a canon C300 markii to be used in a permanent studio setting? This means if you want OSDs on SDI 1 (or Monitor Out) they’re on the HDMI feed also. LUTs are buried in with exposure/focus assist, OSDs and port activation on another. It’s for great green screen and one that I’ll probably use more myself than 4K 60p, although I still think it’s a huge oversight to exclude higher 4K framerates and would like both features in my camera, please. This means that only the Rec Out SDI can display OSDs (on screen displays) to which the HDMI port is paired with. I won’t get too hung up on this as the batteries have doubled in voltage to 14.4V and the unit charges two simulteanously, but the size a consideration for travelling shooters. But working out which monitor should go on what monitor/recorder is brainpower on set that I’d rather spend on something else. Here are the recording details and some specifications of the Canon C300 MII camera. The charger is a chunky slab and like the C300 Mark I there’s a separate AC adaptor unit. It’s great for the above reasons plus puts your rushes in a ballpark as to where they should be for the grade, which is useful if handing over files to a different editor. WFM displays log exposure whilst displaying LUT. I’m sure a Pancake lens like the 24mm STM would result in a fuss free fit. This feature may have been on the C300 mark I, so forgive me if this is old news but as a C100 Mark I user I found this feature handy. The sampling frequency is 48 kHz and the audio sampling bit depth is 24 bit. I guess this is down to the additional processing involved when sampling more frames and processing AF information. ownload the EOS C300 Mark II Manual Every procedure outlined in this guide comes from the EOS C300 Mark II Instruction Manual. Canon's Log 3 Gamma supports 14 stops of dynamic range. This was of the reasons I got these cameras in for the job I did and is a features that has been skipped over a little since announcement. It doesn’t have the XLR ports or audio controls of the clamshell. No. It’s a shame I have to talk about this sort of feature as a reason I like a specific camera, I feel every camera should have every feasible feature accessible via assignable buttons as it completely personalizes the user experience. Here is an image below of the camera recording in Canon C Log 2, but viewing a BT. You get a powerful cinema camera with an expanded dynamic range of 15 stops, 4K/2K/HD internal and external recording (including 4K RAW output), improved Dual Pixel CMOS Autofocus, and dual CFast card slots. I’m a bit of a pessimist with kit, I always expect more from it, whether it’s a tripod, monitor, camera etc.I therefore wasn’t surprised that I spent most of the two days that I was shooting with the C300 Mark II complaining about a lack of this & that, the placement of that button, the hard to find feature buried in the menu etc. No. The EOS C300 Mark II Digital Cinema Camera takes the agility of the original EOS C300 and dials it up a notch. Page 2: Important Usage Instructions • Do not expose batteries or product to excessive heat such as the inside of a car under direct sunlight, fire, etc. There are of course work arounds; use LUTs as they were originally intended and shoot with a single and correct picture profile to start with, and/or loop out of a monitor that supports custom LUTs. Speaking generally about the camera I am a big fan of the ergonomics, like previous EOS cameras it sits well in the hand (despite being a little on the heavier side). That doesn’t mean you can’t achieve off speed auto focus however. Custom Options For Peaking/WFM/Zebra Outputs. Canon MA-400 XLR Accessory on C300 Mark II As a C300 Mark II user, if you opt for the LM-V1, you are faced with an audio decision. On set I can often find myself referring to bigger/better monitors for the most part of operation (compared to camera screen), which can often be shared by an output recording and/or viewed by other crew members and/or the client. And here’s a very quick test looking at the crop factor of the slow motion mode. MIC Att.] I found this very odd, and still scratching my head thinking, “am I doing this right, there’s surely a way?” but you can’t access slow motion via a single button press.Sony has had this feature on the button for a long time (FS100 comes to mind but probably before that also). For the complete EOS C300 Mark II instruction manual go to: The large sensor, and image quality offered by the original C300 was unparalleled by the whole camera industry at the time, and the C300 III continues on with that excellent legacy. I find it a little frustrating to find the HDMI and two SDI ports are not simply three independent outputs; one SDI is labeled Rec Out, the other Monitor Out. Many (including myself) have spent their time complaining about the lack of 4K 60p, but the inclusion of FullHD/2K 12bit 4444 is a very welcomed feature. The Canon C300 Mark II is an excellent choice for any shoot or production that wants a top-notch 4K pipeline. Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that. The problem lies in the physical size of the M5. The Dual Pixel AF provides face tracking detection, as well as movable zonal AF (select the position of your AF zone by toggling the white box around the screen). Once that is set up, use the S&F button on the side of the camera to dial in your shooting frame rate. [¡ Audio Setup] > [Audio Input] > [MIC Att.] © 2021 All rights reserved. Here is the download link for all related TIFF files: I’d like to do some more testing on the C300 Mark II particularly in terms of the image. Details of … I’d consider the option of extending the Movi cradle arms a little forward. Perimeter View mode is a lovely feature on the C300 Mark II that shifts all-important overlays to the edge of your screen. Does anyone know a good setup for a canon C300 markii to be used in a permanent studio setting? Canon Hongkong announced the launch of the new EOS C300 Mark III professional interchangeable-lens 4K camera, a new product of the video production Cinema EOS System that realises a high dynamic range by adopting a newly developed Dual Gain Output (DGO) CMOS sensor and supports 4K/120p high frame rate recording. Due to our extensive lab test for dynamic range that you can check out here, image quality wasn’t on the top of my list for tests with the short period I had the cameras. The camera shoots up to 50/60p in normal mode (contrast to slow motion mode where the camera conforms higher framerates to your working framerate) and Dual Pixel AF works in this mode. The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. Dual Level Control For Single Audio Source. As with many other cameras with high framerate options, audio is also disabled in slow motion mode. Alex Stone was one of the first to receive his Canon C500 Mark II and upon release, the EU-V2 was on backorder with no other V-mount plate available so he decided to build his own custom solution. It’s clear they are designed merely to correct the gamma curve for correct viewing. Activating it gives you a little square on screen that signifies the area in which the system is monitoring for focus. There has been an overall improvement in terms of onscreen displays. If you use only the LM-V1 on the C300 Mark II, you are restricted to camera’s 3.5mm audio jack. The lack of 4K 60p is a big blow for me (like many), the price is also another big factor, but keeping this article on track here’s some specific quirks I found that I wasn’t immediately expecting. TIFF download at the bottom of the page. Cloning Channel 1 still gives you independent control on Channel 2 however. There’s a lot of information starting to circulate on the Canon C300 Mark II as it finds its way into the hands of owners. I’ve gotten used to recording dual system on larger projects: log to internal cards and a LUT to an external recorder. For me operation is a huge factor when considering a camera, it’s one so many people over look and as a result there’s less online information about this sides of things with cameras (hence this article). The BK-C300ii is a streamlined, comfortable camera backpack solution for your Canon C300 Mark II camera setup. Review Canon Professional Camcorders, Canon Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) featuring Super 35mm Dual Gain Output (DGO) Sensor, 4K 120p, 2K Crop 180p HDR, Cinema RAW Light and XF-AVC H.264 Codec, EF Lens Mount, DIG!C DV7 Image Processor, Dual Pixel CMOS AF and Face Detection, LM-V2 4.3" LCD Touchscreen Monitor, 12G-SDI and 4-Channel Audio Recording, 2 x CFexpress Slots, Canon Log2 and … Canon has announced the new Canon EOS C300 Mark II Touch Auto Focus Kit!. 1. 120fps Recording Requires Compromises. There are 4 LUTs installed on the camera: BT.709, BT.2020, DCI and ACESproxy10. These give you enough height to clear the top of the camera (you need these for all EOS cinema cameras including both C100s). First, their physical form factors. The heart of any Canon camera is its superb image-sensor technology. Another LUT/log related feature I like is the inclusion of LUT enable in the assignable buttons menu. The advantage of this over just selecting an appropriate picture profile is that you can still record log to the internal cards/external recorder as a backup should you require extra post processing for incorrectly exposed/white balance images, or if you wanted to revisit a project when you have more time and apply a more dynamic grade. Get Inspired Get ... Canon EOS C300 Mark II. I thought Panasonic were really onto something with their move-at-the-touch-of-a-finger waveform monitor on the GH4. After watching this in-depth primer course you will have a thorough understanding of the camera’s core features and be in a position to maximise your results when on set. KEEP YOUR ISO AT 850. Of course smaller, lighter lenses would mean the camera sits further forward therefore creating more room at the rear. I’d say cine lenses are out of bounds for the M5 and C300 Mark II; the camera would sit too far back and it would likely enter nervy territory extending the arms of the Movi that far forward. Post was import for all stills was into Premiere Pro CC, export to TIFF then convert to 100% JPEG in Lightroom. That said there’s also many things I don’t like about the camera. More Info. Tim Fok is a freelance commercial DP based in the UK, working globally. Unfortunately this is not the case for the C300 Mark II as with 90% of other cameras on the market; not all features are available on the assignable buttons menu. You can drop your ISO lower or … In 4K recording, the C300 Mark II can only output 30fps. I need a set up to constantly power the camera, lens, and a monitor that uses … You’ll be delighted to know that all these features are hidden on different menus on the C300 Mark II. C300 Mark II boasts a CMOS sensor that combines both imaging and phase difference AF for class leading performance. These are just a few of the features I selected as things I liked about the C300 Mark II that you wouldn’t find in usual online information. Turning the focus wheel on your AF EF mount lens will display two markers that move in an arc shaped dial. Find out why the Canon EOS C300 Mark II was so popular at the 2021 festival, and what lenses the filmmakers used with it. Released, Blackmagic ATEM Mini Extreme and Web Presenter HD Announced, Blackmagic Pocket Cinema Camera 6K Pro with Built-in NDs & Tiltable Screen, Optional EVF Announced, Wooden Camera Canon EOS C70 Accessory Kits Launched, Tilta BMPCC 4K/6K Display Modification Kit, Volta Cinema Top Handle Review - Elegant Way to Power Accessories, Aputure 60d and 60x Review – Compact & Focusable LED Fixtures. I’m not going to go over the same information that you can already find on the Internet. AV terminal. You have your standard grid lines, centre crosshair and aspect ratios. Canon Z-Finder with Rosette Mount - The Canon C500 Mark II & C300 Mark III Z-Finder is an optical viewfinder, specifically designed to attach to the Canon LM-V2 4.3" LCD Monitor compatible with the Canon C500 Mark II and Canon C300 Mark III.This Z-Finder will magnify the LCD screen by 1.8x and has a diopter wheel for specific focus tuning. I really like the proxy recording to SD cards too, as well as the prospect of using a more advanced Dual Pixel AF for gimbal use (more on that below). Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. This new feature provides faster and more accurate autofocusing to assist … When the focus is on point the box will go green. Like many, the Sony FS7 and the Canon C300 Mark II are close to the top of my list. Waveform Monitor Cannot Be Re-Positioned. In Conclusion. I plugged it into my Atomos Shogun; on the latest firmware the C300 Mark II is listed in compatible raw cameras for the recorder. The camera fully utilizes the image data delivered by this 4K CMOS sensor to also enable Over Sampling HD Processing for 2K (DCI) and Full … It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. ... Canon; EOS C300 Mark II; You can’t move it, only turn it off. The Sony FS7 annoyingly is similar in grouping outputs. The C300 Mark II makes a fantastic gimbal camera. This creates a nice un-interrupted view of your image on the same screen that is displaying your OSD. But navigating further down and you’ll find a custom button for your own aspect ratio. I find it a little frustrating to find the HDMI and two SDI ports are not simply three independent outputs; one SDI is labeled Rec Out, the other Monitor Out. EOS C100 Mark II / CG-940 / CA-940N* or CA-941 identification plate is located on the bottom. 4. The protruding EVF of the C300 Mark II clips the back of the gimbal when tilting: Unfortunately unlike the C300 Mark I, the EVF is not quick release. The Canon C300 Mark II has two SDI outputs, one HDMI port and one proprietary video connection for the monitor module. You can see a slight dip in quality on the 100p frame at 400%, and technically it should be sharper at 100mm compared to 200mm. We know Canon has a good track record for color rendition, great single operator ergonomics and have all heard about that revolutionary new auto focus system. Newly developed 8.85M CMOS sensor with dual DIGIC DV 5, the adoption of the new XF-AVC video format, to achieve high-quality 4K / QFHD video recording. However, its shape and size is perfect for use with gimbals or drones. For those wondering about whether the C300 Mark II fits on the Movi M5, the answer is both yes and no. 2 Select [On] and then press SET. Once in this mode, there’s a specific button on the side that when pressed you can choose your desired framerate; out of the box, this button serves no other purpose (it’s an assignable button also so can be configured to anything on the custom function menu).

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